Media Reviews
"A must-see production … an altogether superb (and harrowing) world premiere stage adaptation." -Hedy Weiss, Chicago Sun-Times
"Diamond's sharp, wrenching, deeply humane adaptation … helps us discover how an innocent like Pecola can be undone so thoroughly by a racist world that, if it sees her at all, does so only long enough to kick the pins out from under her." -Chicago Reader
"A spare and haunting play … The playwright displays a delicate touch that seems right for the theme spiraling through the piece: that of the invidious influence of a white-majority nation not yet mature enough to validate beauty in all its forms." -The Washington Post
"Diamond even addresses the lack that Morrison herself found in the novel. In the afterword to a 1994 edition, she says the book doesn't effectively handle the silence at its center: the void that is Pecola's 'unbeing.' Making up for that silence, Diamond creates new monologues for the child that make clear just how desperate she is for a warm and kind touch … At the same time Diamond, like Morrison, largely avoids cheap sentimentality and keeps intact the novel's rich humor, much of it rooted in children's attempts to decipher adults' confusing coded language." -Chicago Reader
"Poignant, provocative." -Backstage
"This is a powerful coming-of-age story that should be seen by all young girls." -Chicagocritic.com
"This is bittersweet, moving drama that preserves the vigor and the disquiet of Ms. Morrison’s novel … for theatergoers of any age, it is not to be missed." -The New York Sun
"[Toni Morrison's] complex narrative is faithfully translated to the stage … rich language … supple eloquence." -The New York Times